Tag: Music

Aweditorium: Great Music Discovery for iPad

Aweditorium for iPad Screenshot

Devs keep on cranking out top-notch apps for the iPad that simply wouldn’t happen on another platform. This time up, we’ve got Aweditorium, an app that takes great music and supplements it with good (yet minimalistic) visuals to make for a great music discovery experience. Aweditorium supplies music, biographical information and photos on new artists, all streamed from their servers. The app has the ability to share a full stream of a song on Facebook or Twitter, and also encourages users to buy songs they like most straight from the iTunes store. (It should be noted that most indie artists get 70% of all revenue from the iTunes store.)

Aweditorium tickles me in all the right places:

  • An excellent example of iOS apps’ capability to let technology help us experience art in new ways
  • A fun and easy way to find and share great music
  • Yet another channel for independent artists to get serious exposure without an evil music label

Yeah, my Apple Fanboy quotient is off the charts today. Blame Aweditorium, they’ve made a first-rate app.

[youtube=http://www.youtube.com/watch?v=23IVGdVnZ68&w=640&h=385]

Spain’s Blurred Cultural Divides (or how Newt Gingrich can’t even get xenophobia right)

The Alhambra, from Mirador San Nicolás
The Alhambra of Granada: Muslim Nasrid Fortress; Holy Roman Emperor Charles V's palace; Catholic churches and ex-mosques in view. Photo taken outside the Saint Nicholas church in the Albayzin "Muslim quarter" of the city.

Newt Gingrich states,

“The proposed “Cordoba House” overlooking the World Trade Center site – where a group of jihadists killed over 3000 Americans and destroyed one of our most famous landmarks – is a test of the timidity, passivity and historic ignorance of American elites.  For example, most of them don’t understand that “Cordoba House” is a deliberately insulting term.  It refers to Cordoba, Spain – the capital of Muslim conquerors who symbolized their victory over the Christian Spaniards by transforming a church there into the world’s third-largest mosque complex.” [Emphasis mine.]

I’ll overlook Gingrich’s gross overstatement of the historical facts (this excellent post by a medieval historian refutes his statements in detail) and get to the more glaring irony in his statement. Say hello to the “world’s third-largest mosque complex,” that symbolic victory over Christian Spain (which before the conquest was neither unified in religion nor statehood):

Yep, that just makes ya tremble in fear of Islamist conquerors, doesn’t it? Newt Gingrich uses Córdoba as an example of the Muslim destruction of Western or Christian culture, yet the very building in question stands today not as a mosque, but a cathedral. (Ironically, the world’s third-largest Christian complex lies a couple of hours’ drive away in Seville – a mosque converted into a cathedral after the Catholics conquered the Muslim-ruled Al-Andalus.) Continue reading Spain’s Blurred Cultural Divides (or how Newt Gingrich can’t even get xenophobia right)

Review: “Battle Studies” by John Mayer

Battle Studies

It’s been a while since I posted a music review, but here’s one worth mentioning. Battle Studies is a good new offering from John Mayer – stylistically different from his previous albums, not a pretentious attempt to answer his double-platinum, Grammy-winning release, Continuum.

Musically, Battle Studies strikes me with its layered tones that create a cool, moody backdrop. The tunes have a low to moderate energy level – no hard-hitting songs like “Bold as Love” here. With this album, Mayer mixes his earlier albums’ contemporary pop sound with Continuum‘s predominantly blues theme.

Lyrically, this album is about one thing, and one thing only: a major breakup. The album’s song lineup very closely presents a chronological overview of the his phases in dealing with the end of a relationship. “Heartbreak Warfare” begins the album and sets the stage for what is to come:

“I don’t care if we don’t sleep at all tonight
Let’s just fix this whole thing now
I swear to God we’re gonna get it right
If you lay your weapon down
Red wine and Ambien
You’re talking shit again, it’s heartbreak warfare”

Mayer ponders the depth of his commitment in “Half Of My Heart,” and begins to enjoy the upsides of single life in “Who Says” and “Perfectly Lonely.” Over the next several songs, he begins to feel the true depth of his relationship’s intimacy and the weight of the subsequent falling out, and expresses the full range of his conflicting emotions: “I want you so bad, I’ll go back on the things I believe / There, I just said it, I’m scared you’ll forget about me.” Finally, “Friends, Lovers Or Nothing” is a literal resolution of the whole ordeal, a ballad full of major chords and clear direction forward in the relationship.

This is definitely not my favorite John Mayer album. Each track bleeds of heartbreak, without respite. Also, his cover of “Crossroads” is thoroughly disappointing compared to live performances, and sticks out as a sore thumb from the otherwise cohesive album. To sum it up, Battle Studies is a great piece with some powerful songwriting, but its singular theme is enough to keep me from putting it in frequent rotation in my music library – though I’m sure it’ll be the first album I pull out the next time I’m in a similar situation.

For Broken Strings: New Acoustic EP by Josiah Thiemann

forbrokenstrings

My buddy Josiah is taking the Fort Collins music scene from all angles – he is at once a solo acoustic performer and a drummer in heavy metal band Split Second. (A year ago we got to share the stage in Deliver Me Seven). His new acoustic EP, For Broken Strings (warning: iTunes link), just came out for $3.96.

As always, Josiah’s songwriting comes through as the genuine article: his lyrics are meaningful, unpretentious and contemplative. In  For Broken Strings, he delivers them in the context of acoustic guitars, light percussion, and strings. The title track gradually builds from subtlety to catchy pop-punk.

I suggest you check it out – it’s a steal at under four bucks – and pass along the word to your friends if you like it too.

Random Cultural Observations

Some things I’ve noticed in my first month or so in Spain:

  • I didn’t realize how much of a fixed routine Americans seem to require. Everyone seems to talk about how Spaniards are good about mixing work with leisure, but I didn’t realize how subconscious it all would be. I don’t notice it so much in how Spaniards act as I do in how I act differently from them. I keep trying to establish some kind of fixed daily routine here, and I find such routines to be less helpful here than they are in the US. Aside from school, I’m pretty free to improvise on most days. Going out for tapas isn’t restricted to the weekend, and loafing around can happen whenever. Plenty of hard work can happen too, it’s not “lazier” here really, it’s just approached with a different mindset.
  • Linguistically, Spaniards exaggerate much less. (Rather, they exaggerate less.) When I speak in English, I tend to say something is very easy, very fun, much faster, etc. Here, modifiers like “much,” “more” and “very” are reserved for descriptions of truly exceptional qualities.
  • Since Spain only emerged from its nationalist dictatorship about thirty years ago, there’s a huge generational gap in attitudes here. The older set is generally more politically and socially conservative, no longer influenced by Franco but more than anything influenced by the still state-funded Catholic church. Younger generations (I’d say under 40 to 50) seem to vary more in their views; some keep their traditional values, and many others have quickly moved to a more “European” lifestyle.
    Overall, there seems to be a big cultural separation here between “traditional” and “modern” lives, and while they coexist, they seem to be pretty scared of each other as well. I haven’t been here long enough to really appreciate the nuances of it, but I’ve definitely noticed some similar deficiencies in understanding in the States as well.
  • If my professors are to believed, the 1980s were a sort of “golden age” for Spanish pop music. While I can understand the claim (huge artistic outpouring after the downfall of authoritarian dictatorship), I simply cannot accept that the 1980s was a good decade for music, anywhere. I’m a pretty understanding guy, but drum machines and cheesy synths are where I have to draw the line.

Second NIN Album in 2 Months- This one’s free

I wrote about Ghosts I-IV a couple of months ago. Nine Inch Nails made the first 25% of their new double album available for free on P2P and BitTorrent, and offered the rest for just $5.

Today Nine Inch Nails have released yet another album. This time, payment isn’t even an option. It’s all free, in everything from MP3 to 24-bit/96 KHz WAV files (higher quality than Audio CDs).

I’m surprised by the speed of production here. There are a few things that make it a bit less than amazing in my eyes:

  • Trent Reznor is free of almost all institutional/corporate ties. Very few steps lie between his studio and getting the album everywhere online.
  • Nine Inch Nails became popular in the old music industry. Ghosts I-IV pulled in lots of cash because it marketed itself and tons of people bought it. This wouldn’t happen similarly for a new band, since they need both income and promotion without sacrificing one over the other.
  • If there is minimal monetary risk involved in the recording process, I wonder if less caution is thrown towards the quality of the composition / performance / recording. Or maybe the lack of that stress helps artists loosen up more and be creative. I haven’t listened enough to the new album to make a judgment one way or another on this, but regardless of the artist, it’s something that deserves some scrutiny.

In any case, anything that proves to consumers and music executives that new distribution methods are indeed possible is a good thing in my book.

Free EP: The Autumn Film

My friend Aaron turned me on to these guys, and I’m already hooked one hour later….

The Autumn Film photo

The Autumn Film is a band from Boulder, Colorado with music from the same vein of artists such as The Fray and Coldplay – piano-centered rock with introspective lyrics floating over the top. Pianist/vocalist Tifah Al-Attas has an obviously close and deep connection to her lyrics.

And, as a fellow independent musician, I really like how they are promoting themselves:
a free EP download online for anyone, as long as they share it with three other people. The effect multiplies exponentially as it gets shared more and more, which is the exact opposite of the dying record industry’s business model.

A lot stands out to me on the four tracks from the So Loved EP: the fullness yet sheer simplicity of the drums on “Because We Are” makes me want to go back to my own drumming and learn how to do more with less. “Enough” dynamically flows between simple patterns and energetic drives. But the
topping on the cake is “Holding Place”, a leftover track from previous recordings. This piano-only love song showcases all of the idiosyncrasies hidden within Tifah’s great voice, which exhibits an impressive range and strength in all registers.
Oh, and “Holding Place” has lyrics which tug at the heart, possibly the inspiration for the
band’s usage (logo?) of a heart bound in ropes.

So check them out,  download their free EP here. If you like that, get their new full-length album here.